Monday, May 14, 2007

Is Primetime Perishing?

By Andrew
Advertising Age ran an article that furthers our previous discussions on the evolution of television. The premise of Is Crucial Daypart Finally Past Its Prime is that soon, primetime will have no meaning. Tivo, Internet Television and other technologies mean that consumers watch what they want to watch, when they want to watch it.

While this seems like a scary proposition for advertisers, it needn’t be. Audi is already taking advantage of the concept with its ads based on tt-truth.com. The ads run so quickly that they can only be viewed by consumers who slow them down on their DVR, or go to Audi’s website to view a slower version. Kudos to Audi for taking advantage of new technology instead of trying to stop it like other, shall we say, more furtive organizations.

The article’s most hopeful quote comes from David B. Wertheimer. “"There will only be two kinds of television in the future: event television and on-demand television."” Sounds like a great future.

Wednesday, May 2, 2007

Free Music, Brought to you by...

By Andrew
We7 is a strangely named music download service which promises free, DRM-free, ad-supported mp3 downloads. Cnet.co.uk claims that the service “absolutely, categorically will not succeed.” I agree with this assessment of the We7’s current business model, but with a few adaptations We7 – or at least its business model – could be the next big thing.

The Cnet article addresses the fact that consumers will be annoyed by having to listen to a 10-second commercial at the beginning of every mp3 they download from We7, and they’re absolutely right.

As Hayley’s article about free online TV-show streaming demonstrates, consumers do appreciate advertisers subsidizing products they enjoy, but this system only works when it’s done in a way that doesn’t ruin the product. 10 seconds of advertising at the beginning of every audio track on an album might well ruin the listening experience. I imagine that consumers would feel more animosity than appreciation towards the advertiser whose spot is played over and over again after every song on the mp3 player.

The other problem with We7’s current business model is that it would be quite simple for consumers to strip out the ads from their downloaded songs. It would be difficult to convince advertisers to sponsor songs when they know its likely their ads will never be heard.

A successful widely accepted method of inserting advertisements into music already exists: it’s called radio. Consumers don’t seem to have a problem with listening to ads between every five or ten songs on the radio. To be successful We7 will have to combine the flexibility, selection and portability of mp3 players with the advertising model of radio.

The answer is – as it often seems to be – a new technology. If mp3 players like the successful iPod and the not-quite-yet-so-successful Zune updated their software to allow the insertion of ads after every 5 or so ad-supported songs, We7’s business model would work well.

It’s unlikely that Microsoft or Apple will partner with a small startup like We7, but there’s nothing keeping the two giants from stealing the concept. Being able to advertise free music downloads might be the boost that a struggling mp3 player like the Zune needs.

Tuesday, May 1, 2007

Underneath It All

By Andrew

In our previous guide to advertising blogs we omitted a great resource; the Ad Report Card column by Seth Stevenson on Slate.com tells the story behind famous and infamous advertisements.

Stevenson’s most recent column on the popular UPS “Whiteboard” campaign covers the history and impetus of the ads. Where else, (besides Wikipedia) could you learn that the “Whiteboard” campaign’s director is also its star? Or that the song used in the UPS ad is performed – ironically – by a band named The Postal Service?

Whether you agree with Stevenson’s assessment of an ads merits, it’s almost impossible to read one of his columns and not come away feeling like you’ve gained some insight into the world of advertising.

My favorite nugget of knowledge from Stevenson’s column? The fact that the copywriter for Bud Light’s “Ted Ferguson, Bud Light Daredevil” campaign is also its star. Ted Ferguson brings hope to copywriters everywhere.